Decibel promote works by Western Australian composers, established and emerging. The goup also has composers as part of its make up. This list is constantly growing and may not always be complete.

Please note, that depending on the venue, location and audience  a different combination or selection of works may be suitable. Contact Decibel to discuss possibilities.

Kuklinski’s Dream (2010) by Cat Hope Kuklinski’s Dream (2010)
Score

This work is for bass clarinet, cello, violin, three carving knives and MAXmsp. It makes use of a ‘mobile score’ created on MaxMSP which can be visible to the audience.

In the Cut (2009) by Cat Hope In The Cut(2009)

Score

This  work is for bass clarinet, violin, cello, bass guitar and turntable. It makes use of a ‘mobile score’ created on MaxMSP which can be visible to the audience.

Transit of Venus (2009) by Lindsay VIckery here.
This work is for MaxMSP cello, violin and alto flute. The score is interactive, and projected.

Abe Sada: Sada Abe (2006) by Cat Hope here. Score
This work is for any number of bass instruments, playing under a stage area…the standard Decibel line up does it with 2 bass guitars, contrabass clarinet and electronic cello.

Antibody (2009) by Lindsay Vickery here
This work is for violin, cello, alto flute, clarinet, keyboard and MaxMSP generated score and manipulations.

We’ll Never Know (2009)  by Dan Thorne here.
This work is for violin, alto flute, cello, piano and CD playback.

Variations on Electroacoustic Feedback (2010) by Malcolm Riddoch.here
for microphone and instruments.

Longing (2011) by Cat Hope for five sustaining instruments.here

The Possible Stories of Harry Power (2010) by Cat Hope here
for alto flute, laptop, bass clarinet, radio and computer generated score.

Improbable Games (2010) by Lindsay Vickery here
for alto flute, bass clarinet, cello and electronics.

Hunting Pack (2011) by Lindsay Vickery
for cello, keyboard,  cimbaleom and electronics.