“Hope and her peers…continue to argue that noise art, concrete approaches to sound and to the sample, together with instrumental composition, graphic scores and rules-based ideas, are not incompatible…Just as Cat Hope’s own approach favours the unresolved, so the combination of ideas and processes here might favour an endless, irresolvable dialogue, rather than a new condition of musical interpretation.”
“Hope and her peers…continue to argue that noise art, concrete approaches to sound and to the sample, together with instrumental composition, graphic scores and rules-based ideas, are not incompatible…Just as Cat Hope’s own approach favours the unresolved, so the combination of ideas and processes here might favour an endless, irresolvable dialogue, rather than a new condition of musical interpretation.” Read the full review here.